Archive | April, 2020

“MODERN THINGS ON TRIAL: ISLAM’S GLOBAL AND MATERIAL REFORM IN THE EARLY 20TH CENTURY” Leor Halevi, Vanderbilt University Wednesday, May 6th, 6pm Online lecture, Silsila: Center for Material Histories

29 Apr

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In cities awakening to global exchange under European imperial rule, Muslim societies encountered all sorts of strange and wonderful new things. As Muslims consumers adopted toilet paper, gramophone records, brimmed hats, lottery tickets, and many other novel commodities and technologies, they provoked profound religious debates and effectively reformed Islamic practices. Professor Halevi’s new book, Modern Things on Trial, tells the story of this material reformation in a global framework.

Leor Halevi is Professor of History and Law at Vanderbilt University.

Date: Wednesday, May 6th
Time: 6:00-8:00pm
Location: Online

This event will take place as a live Webinar at 6pm EDT (New York time). To register as an attendee, please use the following link:
https://nyu.zoom.us/webinar/register/WN_capGfgClSCqlEmkOMGgIzA
Only registered attendees will be able to access this event.

Silsila: Center for Material Histories is an NYU center dedicated to material histories of the Islamicate world. Each semester we hold a thematic series of lectures and workshops, which are open to the public. Details of the Center can be found at:

http://as.nyu.edu/content/nyu-as/as/research-centers/silsila.html

Learning at a Distance | Art From the Arab World Online

28 Apr

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Our colleagues at NYU have been doing extraordinary work on the frontlines of the COVID-19 crisis––generating cutting edge medical research on the virus’s migration, providing PPE from Shanghai to New York, tracking international political responsiveness to the virus, donating food in our New York City backyard, and ensuring widespread access to a wealth of free public-domain content drawn from distinguished libraries around the world. Here at the Grey Art Gallery, we are doing our part by finding ways for our community to continue learning and growing with us online.

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We are regularly updating our blog, The Grey Area, with essays on artists and artworks featured in our exhibition Taking Shape: Abstraction from the Arab World, 1950s–1980s. In addition to posts on Abdallah Benanteur, Saloua Raouda Choucair, and Rachid Koraïchi, we recently published a biographical essay on Egyptian artist Menhat Helmy written by her grandson, Karim Zidan.

In Zidan’s words, Helmy was, “one of the first artists to capture the rapidly changing Egyptian State through the eyes of women—whether campaigning to vote, breastfeeding in newly erected outpatient clinics, or as prominent members of society working on par with their male counterparts. Her work during this time cemented her reputation as a pioneer of Egyptian printmaking.”

 

Please see the links below to stay informed about NYU’s policies and national announcements concerning COVID-19.
NYU Information and Resources
Remote Instruction Support
NYU Health and Wellness Center
Center for Disease Control

The University has established the NYU Emergency Relief Fund to help provide essential support to students with the greatest need across the university. Gifts to this fund will help students with the technology they require to continue their courses, support those who have lost wages, cover travel costs for those returning to their homes, or assist in meeting other time-sensitive needs such as food and housing.

The Art of Plague and Panic: Marseille, 1720

27 Apr

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Professor Meredith Martin just published a short essay about the 1720 Great Plague of Marseille in relation to our current pandemic:

https://www.platformspace.net/home/the-art-of-plague-and-panic-marseille-1720

“MEASURE AND MEANING-A CONVERSATION” Emanuele Lugli, Stanford University and Finbarr Barry Flood, Silsila/NYU Thursday, April 30th, 6pm Online lecture, Silsila: Center for Material Histories

22 Apr

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arly modern silk ribbons reproducing the measure of the body of Saint Rose of Viterbo (d. 1251)
(Photograph by Emanuele Lugli)

The idea of measure is intrinsic to the idea of modernity itself, often seen as an index of the quantitative values that underpin scientific rationalism. However, a transcultural and transregional perspective suggests a much more complicated relationship between qualitative and quantitative dimensions of measure.  This conversation explores the meanings of measure and its centrality to forms of social practice in pre- and early modern Europe and the Islamic world.

Emanuele Lugli teaches and writes about late medieval and early modern art in the Department of Art and Art History of Stanford University, with a particular emphasis on Italian painting, trade, urban culture, and the history of fashion. His theoretical concerns include questions of scale and labor, the history of measurements and technology, conceptualizations of precision, vagueness, smallness, and the reach of intellectual networks.

He has written two monographs. The first, Unità di Misura: Breve Storia del Metro in Italia (Bologna: Il Mulino, 2014), reconstructs the revolution triggered by the introduction of the metric system in nineteenth-century Italy. The second, The Making of Measure and the Promise of Sameness (Chicago: University of Chicago Press, 2019), is a quest for the foundations of objectivity through an analysis of the ways measurement standards were made, displayed, used, and imagined between the twelfth and the seventeenth century. A third book, a study of hair and the corporeal minuscule in founding notions of vitality, beauty, and desire in Renaissance Florence, is underway. Emanuele has also edited with Professor Joan J. Kee (University of Michigan) a collection of essays on the roles of size in artmaking titled To Scale (Hoboken, Wiley-Blackwell: 2015).

Finbarr Barry Flood is founder-director of Silsila: Center for Material Histories and William R. Kenan, Jr., Professor of the Humanities at the Department of Art History & Institute of Fine Arts, NYU. Among his recent publications are articles on Picasso, abstraction and the historiography of Islamic art in RES (67/68 2017 & 69/70 2018), marble, mosques and modernism in West 86th (23/2, 2016), and iconoclasm and Islamic State (Daesh) in Religion and Society: Advances in Research (7, 2016). His books include The Great Mosque of Damascus: Studies on the Makings of an Umayyad Visual Culture (2000), Objects of Translation: Material Culture and Medieval “Hindu-Muslim” Encounter, (2009), and Technologies de dévotion dans les arts de l’Islam: pèlerins, reliques et copies (2019). He has co-edited the 2-volume Blackwell Companion to Islamic Art and Architecture (2017) with Gülru Necipoğlu and recently edited and introduced the volume There Where You Are Not: Selected Writings of Kamal Boullata (2019).

Date: Thursday, April 30th
Time: 6:00-8:00pm
Location: Online

This event will take place as a live Webinar at 6pm EDT (New York time). To register as an attendee, please use the following link:
https://nyu.zoom.us/webinar/register/WN_xDj-FGKnSY2nSONdrgWjvg
Only registered attendees will be able to access this event.

Silsila: Center for Material Histories is an NYU center dedicated to material histories of the Islamicate world. Each semester we hold a thematic series of lectures and workshops, which are open to the public. Details of the Center can be found at:

http://as.nyu.edu/content/nyu-as/as/research-centers/silsila.html

Alumni News, Spring 2020 – version 2.0

21 Apr

Our warmest greetings go to all of our alumni.  We hope that you and your loved ones are staying safe and well during this extraordinarily difficult time.  We are extremely grateful to those alumni who responded to our call for news: hearty congratulations on all of your achievements and activities.  We hope to hear from more of you for our next Alumni News round-up, which we’ll post sometime in fall 2020.  Many thanks go to Department of Art History and Program for Urban Design and Architecture Studies faculty Mosette Broderick, Carol Krinsky, Michele Matteini, and Jon Ritter, all of whom contributed news to this post.

Johannes Nathan (B.A. Art History, ’87; M.A. Courtauld Institute of Art, Ph.D. Courtauld Institute of Art, University of London, ’95) published an article in the March 2020 (volume 162, no. 1404) issue of the Burlington Magazine on “Observing the artist at work: a drawing by Verrocchio in Palermo.”  Johannes is an art dealer, and his firm, Nathan Fine Art, is part of a family tradition of dealing in works of art created between the sixteenth and mid-twentieth centuries.  Nathan Fine Arts has offices in Potsdam and Zurich.

Sarah Laursen (B.A. Art History/East Asian Studies ’02; Ph.D. Chinese Art History/East Asian Languages & Civilizations, University of Pennsylvania ’11) has been appointed the new Alan J. Dworsky Associate Curator of Chinese Art at the Harvard Art Museums, effective June 15, 2020.  Sarah is currently the Robert P. Youngman ’64 Curator of Asian Art at the Middlebury College Museum of Art and Assistant Professor in the Department of History of Art and Architecture at Middlebury.

Caroline Fowler (B.A. Art History ’05, Ph.D. Princeton University, Art and Archaeology ’13) was recently named Director of the Clark Art Institute’s Research and Academic Program.

Ashley Tan (B.A. Urban Design and Architecture Studies ’12/ J.D. Boston University School of Law ’15) is a Commercial Real Estate Attorney at Prince Lobel Tye LLP in Boston, Massachusetts.  Her practice consists of leasing, real estate development, zoning, and permitting.  She loves that her day-to-day work still involves analyzing and reading a lot of zoning codes, floor plans, site plans, and traffic studies, all of which she thoroughly enjoyed during her undergraduate days.  In her free time, Ashley keeps a blog on urban history, urban planning, and recent real estate development trends in Boston and elsewhere.

Rachel High (B.A. Art History ’13) hopes everyone is safe and healthy during these difficult times.  Rachel is currently working from home as Manager of Editorial Marketing and Rights at The Metropolitan Museum of Art.  As part of her work at The Met, Rachel helps manage and maintain the MetPublications portion of the museum’s website, which has many titles available for free download and is a great resource for at-home research.

Rachel was one of four co-editors of Art=Discovering Infinite Connections in Art History, which will be published in late June of this year by Phaidon in cooperation with The Metropolitan Museum of Art.  She received her M.A in Art History from Hunter College at the end of the Fall 2019 semester and recently presented her research on art book publisher Harry Abrams at a live-streamed digital symposium hosted by the Norman Rockwell Museum and Hunter College.

Liz Meshel (B.A. Urban Design and Architecture Studies ‘15) will begin the M.A. program in Archaeology at the University of British Columbia this fall.

Reshma Persaud (B.A. Art History ’16) is in her final semester of the M.A. program in Visual Arts Administration at NYU Steinhardt.  In December, she completed an internship at CUE Art Foundation in Chelsea where she worked on their annual auction benefit, exceeding their previous year’s revenue and helped build long-term development initiatives.

In December, Reshma began a new position as Manager, Principal Giving at the International Rescue Committee.  In her new role, she supports the portfolios of the Vice President and Senior Directors of the East and West Coast regions tasked with securing funding to enable refugee programs around the world.

Robin Smith (B.A. Urban Design and Architecture Studies ‘16) will begin the M.Arch. program at Pratt Institute this fall.

Maria Stojanovich (B.A. Urban Design and Architecture Studies ‘16) will pursue her J.D at NYU Law School beginning this coming fall.

Marie Nobematsu LeGassic (B.A. Urban Design and Architecture Studies ‘17) was awarded a Postgraduate Study Scholarship in the Field of Fine Art by the Deutscher Akademischer Austauschdienst e.V. (DAAD).

Julia Wiktoria Pacewicz (B.A. Art History ’17) is currently pursuing a Master’s degree in Heritage & Memory Studies at the University of Amsterdam. Prior to beginning her graduate studies, Julia worked as a cataloguer at Paddle8 and Sotheby’s in New York.
 
Her current study program examines the processes of heritage and memory-making in the context of museological and educational studies, also referring to identity politics and commercialization. The electives, however, were fascinating on another level. She took a class called The Eye and The Object, taught by the wonderful Abbie Vandivere, a paintings conservator at the Mauritshuis in The Hague. The class opened our eyes and taught us how to analyze art objects solely through visual observation — an important skill to have while working in the art field. Whether one is conducting provenance research or curating an exhibition, understanding the object from its core may open new pathways in research or offer other perspectives and appreciations. If you are interested in heritage studies and/or studying in The Netherlands, feel free to reach out to Julia at jwp319@nyu.edu.
 
Lastly, Julia recently contributed to the Provenance Series on the website of Amineddoleh & Associates. The article retraces the history of Raphael’s long-lost masterpiece, Portrait of a Youth. It was a pleasure to collaborate with a former instructor, Leila Amineddoleh, who teaches Art Law in the Department of Art History. To read about the history of one of the most valuable paintings lost during WWII, follow this link.

 

Alexa Pearce (B.A. Art History/French ’17) joined the staff of the National Gallery of Art, Washington, D.C. in February 2020 as a Museum Technician in the museum’s Objects Conservation Lab.  Among the most interesting tasks she has performed in her new position have been helping to assess the monumental mobile by Alexander Calder in the mezzanine (Untitled, 1976) before the upcoming de-installation, and maintaining the early American furniture of the Kaufman collection.  Before joining the National Gallery, Alexa was a Conservation Technician at Evergreene Architectural Arts (District Heights, MD), where she worked closely with conservators to document, stabilize, and treat architectural elements and cultural artifacts.  Projects on which she worked while at Evergreene include restoring victory ship artifacts from the Virginia Maritime Administration; masonry in-painting at the Environmental Protection Agency building in Washington, D.C.; cleaning and waxing bronze sculpture at the Ulysses S. Grant Memorial; laser cleaning and consolidating marble at the U.S. Capitol Building; and laser cleaning of bio-growth on the Jefferson Memorial dome.  Previously Alexa was a Preservation Science Intern at the Library of Congress in Washington, D.C.

Yoonhye Jackie Kong (B.A. Steinhardt, Studio Art/Art History ’18) is in her final semester of the Masters program in Art History at Tufts University.  In addition to writing an M.A. thesis on drawings from the 1960s in relation to choreography and dance notation, Jackie has served as a teaching assistant for several Tufts art history courses and thoroughly enjoyed the experience.

Danny Carpentier-Balough (B.A. Urban Design and Architecture Studies ‘19) will begin the University of Oxford’s Master of Studies program in History of Art and Visual Culture this fall.

Paul Henkel (B.A. Urban Design and Architecture Studies ‘19) has been admitted to the M. A. programs in Art History at both NYU’s Institute of Fine Arts and Hunter College. We look forward to learning where he decides to go this fall.

Harry Hooper (B.A. Urban Design and Architecture Studies ’19) will begin the M.Arch. program at the Yale School of Architecture this coming fall.

Nile Johnson (B.A. Urban Design and Architecture Studies ‘19) will begin the Master of Science program in Urban Planning at Columbia University’s Graduate School of Architecture, Planning and Preservation this fall.

Kelly Ryser (B.A. Art History/Urban Design and Architecture Studies ’19; Sustainable Urban Environments minor, NYU Tandon School of Engineering) will begin the Masters program at NYU’s Institute of Fine Arts this coming fall.

P. Scanlon (B.A. Urban Design and Architecture Studies ‘19) will begin the M.A. program in Historical and Sustainable Architecture at NYU this fall.

Jordan Trager (B.A. Urban Design and Architecture Studies ‘19) will begin the M.Arch program at Cornell University this fall.

 

 

 

Outstanding Teaching Award for Alexa Sue Amore!

18 Apr

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Alexa Sue Amore (PhD Student, The Institute of Fine Arts) is a recipient of the Outstanding Teaching Award from the College of Arts and Sciences for the 2019-2020 academic year.
Alexa has served in the Department of Art History since she entered the PhD program at NYU’s Institute of Fine Arts in fall 2018 first as a writing tutor, then as a course assistant for Medieval Art, and finally as a recitation leader/adjunct instructor for History of Western Art 1 (fall 2019 and spring 2020). In a statement submitted to the award selection committee, Alexa emphasized her commitment to teaching art history in view of current events concerning museums, archaeology, and politics, as well as the appropriation and citation of works of pre-modern art in a wide range of contemporary contexts ranging from popular media to propaganda. She also strives to be as transparent as possible with her students about her love of art history and of learning in general.
Alexa is thrilled to be recognized as an Outstanding Teacher by the College of Arts and Sciences and is especially grateful to her students!

Alumni News, Spring 2020

16 Apr

Our warmest greetings go to all of our alumni.  We hope that you and your loved ones are staying safe and well during this extraordinarily difficult time.  We are extremely grateful to those alumni who responded to our call for news: hearty congratulations on all of your achievements and activities.  We hope to hear from more of you for our next Alumni News round-up, which we’ll post sometime in fall 2020.  Many thanks go to Department of Art History and Program for Urban Design and Architecture Studies faculty Mosette Broderick, Carol Krinsky, and Michele Matteini, all of whom contributed news to this post.

Johannes Nathan (B.A. Art History, ’87; M.A. Courtauld Institute of Art, Ph.D. Courtauld Institute of Art, University of London, ’95) published an article in the March 2020 (volume 162, no. 1404) issue of the Burlington Magazine on “Observing the artist at work: a drawing by Verrocchio in Palermo.”  Johannes is an art dealer, and his firm, Nathan Fine Art, is part of a family tradition of dealing in works of art created between the sixteenth and mid-twentieth centuries.  Nathan Fine Arts has offices in Potsdam and Zurich.

Sarah Laursen (B.A. Art History/East Asian Studies ’02; Ph.D. Chinese Art History/East Asian Languages & Civilizations, University of Pennsylvania ’11) has been appointed the new Alan J. Dworsky Associate Curator of Chinese Art at the Harvard Art Museums, effective June 15, 2020.  Sarah is currently the Robert P. Youngman ’64 Curator of Asian Art at the Middlebury College Museum of Art and Assistant Professor in the Department of History of Art and Architecture at Middlebury.

 Caroline Fowler (B.A. Art History ’05, Ph.D. Princeton University, Art and Archaeology ’13) was recently named Director of the Clark Art Institute’s Research and Academic Program.

Ashley Tan (B.A. Urban Design and Architecture Studies ’12/ J.D. Boston University School of Law ’15) is a Commercial Real Estate Attorney at Prince Lobel Tye LLP in Boston, Massachusetts.  Her practice consists of leasing, real estate development, zoning, and permitting.  She loves that her day-to-day work still involves analyzing and reading a lot of zoning codes, floor plans, site plans, and traffic studies, all of which she thoroughly enjoyed during her undergraduate days.  In her free time, Ashley keeps a blog on urban history, urban planning, and recent real estate development trends in Boston and elsewhere.

Rachel High (B.A. Art History ’13) hopes everyone is safe and healthy during these difficult times.  Rachel is currently working from home as Manager of Editorial Marketing and Rights at The Metropolitan Museum of Art.  As part of her work at The Met, Rachel helps manage and maintain the MetPublications portion of the museum’s website, which has many titles available for free download and is a great resource for at-home research.

Rachel was one of four co-editors of Art=Discovering Infinite Connections in Art History, which will be published in late June of this year by Phaidon in cooperation with The Metropolitan Museum of Art.  She received her M.A in Art History from Hunter College at the end of the Fall 2019 semester and recently presented her research on art book publisher Harry Abrams at a live-streamed digital symposium hosted by the Norman Rockwell Museum and Hunter College.

Reshma Persaud (B.A. Art History ’16) is in her final semester of the M.A. program in Visual Arts Administration at NYU Steinhardt.  In December, she completed an internship at CUE Art Foundation in Chelsea where she worked on their annual auction benefit, exceeding their previous year’s revenue and helped build long-term development initiatives.

In December, Reshma began a new position as Manager, Principal Giving at the International Rescue Committee.  In her new role, she supports the portfolios of the Vice President and Senior Directors of the East and West Coast regions tasked with securing funding to enable refugee programs around the world.

Alexa Pearce (B.A. Art History/French ’17) joined the staff of the National Gallery of Art, Washington, D.C. in February 2020 as a Museum Technician in the museum’s Objects Conservation Lab.  Among the most interesting tasks she has performed in her new position have been helping to assess the monumental mobile by Alexander Calder in the mezzanine (Untitled, 1976) before the upcoming de-installation, and maintaining the early American furniture of the Kaufman collection.  Before joining the National Gallery, Alexa was a Conservation Technician at Evergreene Architectural Arts (District Heights, MD), where she worked closely with conservators to document, stabilize, and treat architectural elements and cultural artifacts.  Projects on which she worked while at Evergreene include restoring victory ship artifacts from the Virginia Maritime Administration; masonry in-painting at the Environmental Protection Agency building in Washington, D.C.; cleaning and waxing bronze sculpture at the Ulysses S. Grant Memorial; laser cleaning and consolidating marble at the U.S. Capitol Building; and laser cleaning of bio-growth on the Jefferson Memorial dome.  Previously Alexa was a Preservation Science Intern at the Library of Congress in Washington, D.C.

Yoonhye Jackie Kong (B.A. Steinhardt, Studio Art/Art History ’18) is in her final semester of the Masters program in Art History at Tufts University.  In addition to writing an M.A. thesis on drawings from the 1960s in relation to choreography and dance notation, Jackie has served as a teaching assistant for several Tufts art history courses and thoroughly enjoyed the experience.

Harry Hooper (B.A. Urban Design and Architecture Studies ’19) will begin the M.Arch. program at the Yale School of Architecture this coming fall.

Kelly Ryser (B.A. Art History/Urban Design and Architecture Studies ’19; Sustainable Urban Environments minor, NYU Tandon School of Engineering) will begin the Masters program at NYU’s Institute of Fine Arts this coming fall.

from Barry Flood, Director of Silsila

10 Apr

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It is difficult to imagine what the past few weeks have brought and at what speed. I hope that you and your loved ones are safe and well.

In these challenging times, as institutions try to adapt to the constraints imposed by the need for social distancing, many have attempted to make their events and resources available to the widest possible audience online. Having been obliged by the situation to cancel our long-planned Silsila lecture program for this spring, I am delighted to announce the resumption of at least part of that program online.

In addition to offering some intellectual stimulation during this period of lockdown, our hope is to reconstitute in the realm of the virtual the sense of community that the Center has tried to foster since its inception, as part of the university’s larger mission.

The following three events will take place in late April and early May:

Wednesday April 22nd – Beate Fricke (University of Bern), “Miracles of Mediation. Still-Life, Liturgical Vessels, and Processions at Cordoba.”

Thursday April 30th – Emanuele Lugli (Stanford University) & Finbarr Barry Flood (NYU), “Measure and Meaning – a Conversation.”

Wednesday May 6th – Leor Halevi (Vanderbilt University), “Modern Things on Trial – Islam’s Global and Material Turn in the early 20th Century.”

Each event will take place as a live Webinar at 6pm EDT (New York time). Approximately one week before each event we will circulate details containing a link, which will also be posted on the web page to enable you to register for the event. You will then receive a link enabling you to access the event as an attendee. Only registered attendees will be able to access the event.

We are hoping to provide a forum for a Q&A session after each talk but would ask for your patience with any unforeseen wrinkles.

I am immensely grateful to our three speakers for making this move online possible, and to our administrative aide, Lola Owoseni, and Nadia Ali, our faculty fellow, for their invaluable help in smoothing this transition to the virtual.