Archive | February, 2019

Meet our Spring 2019 Writing Tutors!

28 Feb

Although the Arts and Science College Learning Center has offered subject-specific assistance in the past and continues to do so in biology, chemistry, math, languages and the like, in recent years our own Department has taken the lead in providing art history-specific tutoring to its undergraduates. The program kicked off in October 2008 and, according to our students’ feedback, has proven to be a great success.

A tutor is available in the Department of Art History on Mondays through Fridays from 12.30 to 2pm. Students may see them on a walk-in basis.

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Alexa Amore is a first year PhD student at the Institute of Fine Arts studying medieval art and architecture. A native of northern California, Alexa recently completed a Master’s degree in Art History at Case Western Reserve University in Cleveland, Ohio and holds another in Medieval Studies from Fordham University. Her current research interests include medieval theories of vision and matter as well as viewer reception and response in relation to gothic sculpture. Alexa is available on Mondays and Tuesdays.

 

Yizhuo Li

Yizhuo Li is a second year Master’s student at the Institute of Fine Arts focusing on digital media. She studied English Literature and Psychology in China and Germany, widely experiencing the cultural landscapes across regions and later becoming interested in the interchange between literature and visual art. Yizhuo will be available on Wednesdays.

 

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Originally from Shanghai, Tianyuan Deng (Ti Ti) is a PhD candidate at the Institute of Fine Arts in modern art history. Her translation of the book of her doctoral advisor, Thomas Crow, ‘The Rise of Sixties” is forthcoming in China. She also publishes art reviews on Artforum, Art Agenda (e-flux), Mousse magazine, Ocula, among others.Ti Ti is available on Thursdays and Fridays.

Panel Discussion: Expressionism for Our Time

27 Feb

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Adrianne Rubenstein
Waggy Tee, 2018
Oil on panel, 47 x 36 in.
Courtesy the artist

Panel Discussion: Expressionism for Our Time
Wednesday, March 6, 6:30 pm
New York Studio School
8 West Eighth Street

With artists Rochelle FeinsteinJudy Glantzman, and Adrianne RubensteinRobert Slifkin, Associate Professor of Fine Arts, Institute of Fine Arts, NYU; and Karen Wilkin, independent curator and faculty member, New York Studio School.

Organized by the New York Studio School as part of its Evening Lecture Series and co-sponsored by the Grey Art Gallery. Information: nyss.org/lecture/expressionism-for-our-time/. For inquiries about accessibility, please contact Leeanne Maxey at lmaxey@nyss.org.

Offered in conjunction with Fritz Ascher: Expressionist, on view at the Grey Art Gallery, New York University, 100 Washington Square East, NYC, January 9–April 6, 2019. Also on view: Metamorphoses: Ovid According to Wally Reinhardt.

Please note that the date of J. English Cook’s Gallery Conversation on Metamorphoses: Ovid According to Wally Reinhardt (formerly March 6) has been changed to Wednesday, March 13, 6:30 pm at the Grey, and that artist Wally Reinhardt will participate.

Urban Design in London – June 1 – June 29, 2019

26 Feb

https://www.nyu.edu/academics/studying-abroad/summer-abroad/programs/urban-design-in-london.html

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NEW DATE Gallery Conversation on  Metamorphoses: Ovid According to Wally Reinhardt Wednesday, March 13, 6:30 pm

26 Feb

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Wally Reinhardt
Venus Grieves for Adonis (detail), 2016
Watercolor, gouache, Prismacolor colored pencil, graphite, and tape
on prepared Arches paper, 18 x 44 in. 
New York University Art Collection. Gift of the artist, 2018.2.63

NEW DATE
Gallery Conversation on 
Metamorphoses: Ovid According to Wally Reinhardt
Wednesday, March 13, 6:30 pm
Grey Art Gallery, NYU
100 Washington Square East

Gallery conversation with Wally Reinhardt, artist, and J. English Cook, Graduate Curatorial Assistant, Grey Art Gallery, and Ph.D. Candidate, Institute of Fine Arts, NYU.

Free of charge and subject to change.

Offered in conjunction with Metamorphoses: Ovid According to Wally Reinhardt, on view at the Grey Art Gallery, New York University, 100 Washington Square East, NYC, January 9–April 6, 2019. Also on view:Fritz Ascher: Expressionist.

For information on the exhibition, please visit greyartgallery.nyu.edu

FUTURE EVENTS:
For a roster of the Grey’s upcoming public programs, visit our website at greyartgallery.nyu.edu/programs

Join the conversation!

@NYUGrey
#Fritz Ascher
#WunderbarTogether
#WallyReinhardt

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The gallery is accessible to people with disabilities. For best access, please call 212/998-6780 before visiting.

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Planning La Nueva Ciudad in Guayaquil, Ecuador: The Rehabilitation of the Guayaquil Airport

22 Feb

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INFO SESSION!Comes with pizza!!!

12 Feb

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The Fine Arts Society, 2018-19:  People, Places, and Events

11 Feb

The Fine Arts Society is having a banner year in 2018-19 thanks to the creativity and energy of its officers and board members and the participation of students at large. The goal of the Society is the creation of a community of NYU students interested in art, art history, and visual culture. Through visits to museums and galleries both within and without New York City as well as walking tours, lectures, symposia, and film screenings, the Fine Arts Society brings art history majors and non-majors together, with lively discussions.

Tremendous thanks and hearty congratulations go to all of the club’s officers and board members for their enthusiasm, commitment, and organizational chops. This year’s officers are Co-presidents Eduardo Sotomayor (Art History; Business minor ’19) and Tony Cui (Art History ’19), Treasurer Lane Bhutani (Gallatin; Italian minor ’19), PR/Marketing Executive Chantal Chen (Art History; French minor ’19), Secretary Xiaolu Wu (Art History; East Asian Studies minor ’20), and Executive Board members Emily Schechter (Art History; History minor ’19) and Sara Miranda (Art History; Steinhardt Digital Art and Design minor ’20).  Followers of this blog will note how many of this year’s officers are Fine Arts Society veterans who bring long experience with the club to their excellent work this year.  Thanks also go to Professor Michele Matteini, who serves again this year as the club’s faculty advisor.

The Society started off the new academic year by thinking outside the box — and by venturing outside the halls and classrooms of the third floor of Silver Center — holding a Club Fest and Recruitment evening in the Kimmel Center.  More than 80 students added their names to the club’s mailing list during this event, which took place on September 5th.  A week later (September 12th) the Society held its annual fall Welcome Party/Meet-and-Greet in the Department of Art History.  More than 30 enthusiastic students reconnected after the summer break and learned about the Society’s activities and planned events, fortified by plentiful pizza.

A scant three days later (September 15th) the Society sponsored what has become one of its most popular events:  a Chelsea Gallery Tour.  This year more than 25 students spent a stimulating day visiting Pace, David Zwirner, and Lisson galleries.  On November 15th, 15 lucky students attended a guided tour, led by a museum educator, of the spectacular “Delacroix” exhibition at the Met.

The Society inaugurated the spring semester with a Welcome Back Event held at The Rubin Museum of Art.  On February 1st, 10 fortunate students attended the celebration of the opening of the exhibition “Faith and Empire: Art and Politics in Tibetan Buddhism.”  As readers of this blog and others will know, Beth Citron (Ph.D. History of Art, University of Pennsylvania ’09), an alumna of the Department of Art History, is Curator of Modern and Contemporary Art at The Rubin.

The club’s plans for the coming months include a weekend day trip to Dia:Beacon in upstate New York for 15 lucky students, to take place in March; an excursion in April to The Met Cloisters in Fort Tryon Park, NY; and the highly anticipated annual events, the Young Professionals Symposium and the Professional Symposium, both in May.  The former event will feature presentations and career-oriented advice from young museum curators, educators, and gallerists; at the latter event, curators, museum and gallery directors, and other more established art world professionals will give presentations, to be followed by a Q&A.  If you know of any art world professional (a curator, professor, mentor, boss, friend, or family member) who you think would be a great speaker in either professional symposium, please contact the Society through facebook or instagram.

The Society will host an end-of-year picnic and graduation party in Washington Square Park in May.

Stay informed by following the Society on facebook or instagram (@nyufas).  All important updates and messages will be issued through NYU Engage.  Look for the club there under NYU FAS and join us to always stay in the loop!

A new executive board, along with two new co-presidents and a treasurer will be selected in May and will be responsible for the Fine Arts Society next year.  Look out for future emails from NYU Engage to apply for a position if you are interested.

Chelsea Gallery Tour, 9_15_18 1

Chelsea Gallery Tour  9/15/18

Chelsea Gallery Tour, 9_15_18 2

Chelsea Gallery Tour  9/15/18

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Chelsea Gallery Tour  9/15/18

_Delacroix_ at the Met 11_15_18 2

“Delacroix” at the Met  11/15/18

_Delacroix_ at the Met 11_15_18 1

“Delacroix” at the Met  11/15/18

At The Rubin Museum for _Faith and Empire,_ 2_1_19 2

At the Rubin Museum for “Faith and Empire”  2/1/19

At The Rubin Museum for _Faith and Empire,_ 2_1_19 1

At the Rubin Museum for “Faith and Empire”  2/1/19

Silsila spring 2019 Lecture Series, Replication “ON REPLICATION: GLASS PAINTING AND PHOTOGRAPHY IN SENEGAL (1890-1960)” Giulia Paoletti, University of Virginia

11 Feb

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Unidentified artist, El Hadj Malick Sy, ca. 1930s, glass painting, 50 x 40cm, Private Collection.

 

In 1915, the Governor-General of French West Africa A.W. Merlaud-Ponty addressed the colonial administration regarding an unprecedented circulation of images across the Sub-Saharan region corresponding to “a new need.” In Senegal, the growing demand was for devotional portraits, and glass painting became the most popular medium used to reproduce icons of local Sufi saints. By studying the “unity as well as the distinction of image and medium” to borrow Hans Belting’s words, this lecture will explore the interferences—both theoretical and formal—between photography and glass painting and the significance of replication in practices of devotion.

Giulia Paoletti is Assistant Professor in the McIntire Department of Art at the University of Virginia. A specialist of African art history, her research has focused on the histories of photography in Senegal, where she has conducted two years of research. She has published in edited volumes and academic journals including Cahiers d’études africaines and is currently working on a book manuscript on photography in Senegal (1860-1960).
Silsila: Center for Material Histories is an NYU center dedicated to material histories of the Islamicate world. Each semester we hold a thematic series of lectures and workshops, which are open to the public. Details of the Center can be found at:

http://as.nyu.edu/content/nyu-as/as/research-centers/silsila.html

Date: Monday, February 18th
Time: 6:30-8:30pm
Location: 4 Washington Square North, 2nd floor

RSVP here: https://goo.gl/forms/yja3g0W2ngnUm2Uh1

*Since space is limited, it is essential to RSVP. If for any reason you have rsvp’d and cannot attend, please use the RSVP form to let us know. 

Meet our Spring 2019 Writing Tutors!

11 Feb

Although the Arts and Science College Learning Center has offered subject-specific assistance in the past and continues to do so in biology, chemistry, math, languages and the like, in recent years our own Department has taken the lead in providing art history-specific tutoring to its undergraduates. The program kicked off in October 2008 and, according to our students’ feedback, has proven to be a great success.

A tutor is available in the Department of Art History on Mondays through Fridays from 12.30 to 2pm. Students may see them on a walk-in basis.

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Claire Lipsman is a first year MA student at the Institute of Fine Arts with a focus in Renaissance art and an interest in archaeology of the ancient Mediterranean. Her current research interests include technical art history, paintings, dress, and issues of sex and gender. She completed her BA in Art History at Skidmore College in 2016. Claire is available on Mondays and Tuesdays.

 

Yizhuo Li

Yizhuo Li is a second year Master’s student at the Institute of Fine Arts focusing on digital media. She studied English Literature and Psychology in China and Germany, widely experiencing the cultural landscapes across regions and later becoming interested in the interchange between literature and visual art. Yizhuo will be available on Wednesdays.

 

Screen Shot 2019-02-08 at 3.36.40 PM

Originally from Shanghai, Tianyuan Deng (Ti Ti) is a PhD candidate at the Institute of Fine Arts in modern art history. Her translation of the book of her doctoral advisor, Thomas Crow, ‘The Rise of Sixties” is forthcoming in China. She also publishes art reviews on Artforum, Art Agenda (e-flux), Mousse magazine, Ocula, among others.Ti Ti is available on Thursdays and Fridays.

Mark your calendars: “Waiting for the End of the World,” Department of Art History, February 11-12, 2019. Keynote speaker: Professor Pepe Karmel. Advance registration now open! Free for Students!

11 Feb

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