Charlotte Moorman performing Jim McWilliams’s Sky Kiss,
Sydney Opera House, Sydney, Australia, April 11, 1976
Unidentified photographer, reproduced courtesy of
Kaldor Public Art Projects
Monday, October 24, 6:30 pm
Silver Center, Room 300
(enter at 32 Waverly Place)
This panel discussion will explore the efficacy of performance as a critique of conventional modes of artistic practice during the 1960s and since. Moderated byJulia Robinson, associate professor of Art History, NYU, with speakers Claire Bishop, professor of Contemporary Art, The Graduate Center, CUNY; Sabine Breitwieser, director, Museum der Moderne Salzburg; Branden W. Joseph, Frank Gallipoli Professor of Modern and Contemporary Art, Columbia University; andMidori Yoshimoto, professor of Art History and gallery director, New Jersey City University.
This program is free of charge, no reservations, capacity limited, and subject to change.
Photo ID required for entrance to NYU buildings.
Information: greyartgallery.nyu.edu, firstname.lastname@example.org, 212/998-6780.
Offered in conjunction with the exhibition A Feast of Astonishments:
Charlotte Moorman and the Avant-Garde, 1960s–1980s,on view at NYU’s Grey Art Gallery September 8–December 10, 2016.
For more information on the exhibition,
please visit greyartgallery.nyu.edu